Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
1029 14 |
Ultima descărcare din IBN: 2018-11-19 09:23 |
Căutarea după subiecte similare conform CZU |
792.03 (51) |
Teatru. Artă scenică. Reprezentații teatrale (521) |
SM ISO690:2012 UNGUREANU, Ion. Teatrul şi credinţa . In: Revista de Ştiinţă, Inovare, Cultură şi Artă „Akademos”, 2009, nr. 2(13), pp. 48-52. ISSN 1857-0461. |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Revista de Ştiinţă, Inovare, Cultură şi Artă „Akademos” | ||||||
Numărul 2(13) / 2009 / ISSN 1857-0461 /ISSNe 2587-3687 | ||||||
|
||||||
CZU: 792.03 | ||||||
Pag. 48-52 | ||||||
|
||||||
Descarcă PDF | ||||||
Rezumat | ||||||
Scientific report, made by famous stage director
Ion Ungureanu at the academic conference, on May
7th
, 2009, with the occasion of awarding him the title
of Doctor Honoris Causa, refers to a very significant
problem, announced just in the title. Considering
theatre to be the most important kind of art to refl ect
the human being, consciousness and life of man’s
soul, the author traces some main stages of those
changes, that have taken place since ancient times
till now under the infl uence of the phenomenon
of faith, as well as under the absence of such an
infl uence, when spiritual values and ideals are
substituted with those false of ideology in the both
societies of East and West. Addressing to such plays
as Medeea by Euripides, Nora by H. Ibsen, The 41st
by B. Lavreniov, Who is afraid of Virginia Woolf?
by E. Albee, Casa mare and Doina by I. Drutse,
Minodora by A. Strimbeanu, it gives a possibility to
reveal an essential role of the theatre in society’s life
and history, the role once determined by the great
Shakespeare as to be “a mirror and a brief chronicle
of the age”. |
||||||
|