Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
825 25 |
Ultima descărcare din IBN: 2024-02-04 10:15 |
SM ISO690:2012 TOSTOGAN, Aliona. Moștenirea muzicală a lui Dimitrie Cantemir. In: Magazin bibliologic, 2014, nr. 1-4, pp. 33-37. ISSN 1857-1476. |
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Magazin bibliologic | |||||||
Numărul 1-4 / 2014 / ISSN 1857-1476 | |||||||
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Pag. 33-37 | |||||||
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Dimitrie Cantemir, a well-known scientist and a person of profound knowledge, was an exemplified person in the history of Turkish music. His musical creations were inspired by the Oriental tradition and his prolific personality embraced many aspects in music: he was theoretician, composer, performer and musical ethnographer. Dimitrie Cantemir was one who created a modern basis to theory of classic Turkish music, initiating system of alphabetical notation as a starting point of the universe of music theory. Musical heritage of Dimitrie Cantemir contains of two works attached to each other. First is a theoretical tractate, and the second is a collection of melodies that were signed with the use of alphabetical notation, invented by him. The theoretical tractate is called Kitâb-ü’ilm-il mûsirî’vedjh-il hurûfât („The Book of Music Science by Way of Letters”) and belongs to collections of the library of Turkology Institute in Istambul. This tractate was the first one, written in scientifical style, focused on an objective defined quite clear and it is, exactly - formulation and fixing of theoretical and practical rules of the Turkish music, as well as creation of system of writing of Turkish music, invented by Dimitrie Cantemir. This tractate remains a fundamental and exceptional historical source which helps us to study theory, style and forms of Ottoman music from the 18th century. It also offers a large panoramic view of musical life of this leading Eastern nation. |
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