The study approaches the issue of the ironic and parodic poetic techniques, settled in Romanian literature from Bessarabia in special circumstances of postmodernism adoption and the assimilation peculiarities of local literary paradigm. Despite the cosmopolitanism administered programmatically into the literary structure, the polemical ironic tensions are felt announcing the attempt of searching specific differences: eccentric non-conformism to ingenious use of irony in poetry and prodigious deconstruction of ideological pressure in Busuioc’s novels; the ironic performance of stylistic refinement and intertextual exercises in Em. Galaicu-Paun’s works; ironic nihilism displaying ontological limit in Vsevolod Ciornei’s works, ironical nerve of the lucidity maintained active and revolt against conformism that distorts the identity in Andrei Turcanu’s works. The approach to Bessarabian parody discovered its paradoxical nature and isolated character of manifestation: appropriation of unconventional writing by ironic restoration of the world and by conversion of the tyranny of the author in the self-reflexivity and parody in Vasile Vasilache’s novel; the dialogical discursive performance of the parody in Aureliu Busuioc’s novel.