Considering as premise the playwriting of William Shakespeare being one of the touchstones of humanities, in this study we willrisethe question about the method through which the work ofthe classic writer became a way of the contemporary society to reflect some of its most polemized, keen, difficult orchallenging topics. Going on, a necessary answerwill be given regarding the fact that the plays of the English author gettoday rather theutilitarian aspect in the scenic approach or if, in fact, there are more nuanced positioning. And there are, as wecan not put aside the way that artists are often perceiving the message in a whole, not only on the edge of social, documentary or politic theatre. Therefore, what is it transmitted to us and what do we transmit to history when Shakespearean plays are staged in refuges camps or when debating the veteran’s status. In our approach we will focus on some main artistic directions or forum theatre examples: Love’s Labour’s Lost directed by Corinne Jabelat Kaboul in 2005, the Hamlet Globe Theatre’s production directed on refuges camp in Calais, in 2016, and also Macbeth directed by Peter Callender or the one directed by Amy Attaway from 2019, bothtalking about the veteran’s or vulnerable groups status.But we believe that each of those visions are simply emphasizing the idea that the great literature fights for fundamental humanist and moral principles.,