Aesthetics in the Soviet state loses its privileged position in art,which is just one of the tools of aesthetic idealization of reality. The boundary between art and other forms of human activity becomes temporarily. This produces, on the one hand, aesthetic idealization of political life, on the other hand-the politicization of art; it corresponds to the main trends in the USSR. A consequence of aesthetic idealization becomes dramatization of reality. It becomes difficult to find the line between art and reality. The main characteristic of totalitarian aesthetics as manifested primarily in literature and visual art is specific realism, so-called „totalitarian realism”. In the late twenties, so terms like realism „monumental”, „social”, „biased”, „romantic”. Soviet totalitarian culture’s favorite themes were heroic revolutionary past and creative work. Totalitarian culture was only an instrument of the State, at any cost, is struggling to fit in some schemes ideological consciousness of the masses. Under these condition sit loses much of its independence. Its natural development deforms though not completely inter rupted.