The process of admiration and detailed selective analysis of visual phenomena in the field of Fine Arts from other times highlights the similar means of compositional organization of two different three-dimensional structural systems as a concept and performance, such as costume and architecture. As an eloquent method of plastic association of forms and details in a whole, the proportional contrast relations, hue and resemblance with which the logic of the interior construction and the connection of the structure with the environment are conceptualized. The Proportional Harmony Theory, used in the process of designing and constructively developing technology for both clothing and architectural edifices, lists its millennia since its emergence, and as an aesthetic category is promoted in space and time through the following relations and division systems: Egyptian, Ancient, Gothic, Renaissance, Baroque, Rococo, Classical, etc. Plasticians create in the ambience of everyday life different original space structures, in which both edifices and costume are defined as aesthetic means of protection, shelter, covering, with conventional narrative tectonic meanings.