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1133 9 |
Ultima descărcare din IBN: 2023-12-08 00:08 |
Căutarea după subiecte similare conform CZU |
821.135.1-3(478).09 (69) |
Литература на балканских романских языках (2248) |
SM ISO690:2012 GHILAŞ, Ana. Forme ale teatralităţii in proza lui Ion Druţă. In: Revista de Ştiinţă, Inovare, Cultură şi Artă „Akademos”, 2016, nr. 4(43), pp. 155-159. ISSN 1857-0461. |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Revista de Ştiinţă, Inovare, Cultură şi Artă „Akademos” | |||||||||
Numărul 4(43) / 2016 / ISSN 1857-0461 /ISSNe 2587-3687 | |||||||||
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CZU: 821.135.1-3(478).09 | |||||||||
Pag. 155-159 | |||||||||
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Ion Druta’s artistic discourse is characterized by the interference of the epic with the lyrical, dramatic and other forms of artistic communication. A feature of his artistic vision is theatricality as a way of valuing social reality and cultural phenomena and which involves the relationship between play and theatricalization. The article analyses the forms and structures of theatricality in I. Druta’s prose, having as reference the two narrative modalities of the discourse - narration and representation. The role of dialogue, gestuality, landscape, the type of psychologism etc. are revealed in this context. |
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Cuvinte-cheie Druță, proză, dramaturgie, teatralitate, dialog, didascalii, interferența artelor |
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