Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
664 44 |
Ultima descărcare din IBN: 2024-03-08 15:15 |
Căutarea după subiecte similare conform CZU |
78.082.2:786.2 (7) |
Музыка (1809) |
SM ISO690:2012 PRIP, Emanuela. Sergei Prokofiev’s piano sonata no. 5 in c major op. 135: a stylistic approach. In: Studiul artelor şi culturologie: istorie, teorie, practică, 2015, nr. 4(27), pp. 14-17. ISSN 2345-1408. |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Studiul artelor şi culturologie: istorie, teorie, practică | ||||||
Numărul 4(27) / 2015 / ISSN 2345-1408 /ISSNe 2345-1831 | ||||||
|
||||||
CZU: 78.082.2:786.2 | ||||||
Pag. 14-17 | ||||||
|
||||||
Descarcă PDF | ||||||
Rezumat | ||||||
The Piano Sonata No. 5 in C major Op. 135 had two versions: the first one appeared in 1923 (The Piano Sonata no.5 op. 38) and the second one (no. 5 op. 135) was released in 1953, the year when the composer died, nevertheless he had started working at it a year before. In this masterpiece the musical language of the composer reaches maturity. The „steel fingers” technique is left behind in favor of a new approach that came hand in hand with the vocal compositions he had created abroad, while the piano sonority undergoes a metamorphosis from percussive elements towards more versatile ones. |
||||||
Cuvinte-cheie sonata, Prokofiev, piano sonority, modal harmony, stylistics |
||||||
|