Nicoleta Esinencu’s special writing is part of current trend of young western theatre characterized by the use of a language that prefers stereotypes of a spoken language, depending on the characteristics of the world over which the playwright sets attention. The popular plays of the author such as Fuck you, eu.ro. Bye!, A (II) Rh , Zukerfrei and others create an impression that they are parts of a work with a jigsaw structure, with a degree of intimate consistency logically structuring the created world. These short monologues are a proof of dramatic assiduous practice. And beyond the vulnerability of the naughty characters there is hidden what the author wants to reveal in the background.