Emilian Galaicu-Paun is one of the first writer from Basarabia who wrote his novel according to the narrative experiments of the New French Novel. Passing from the verbal to the non-verbal paradigm is dictated by the necessity to look for a new mechanism of meaning generation. The author believes that the right gesture is one of those marginal spheres of artistic expressivity that assures freedom against the structure, logic and universality. In his work, the author fully uses dialogic strategies, but our investigation rejects the concept of intertextuality proposed by J. Kristeva and R. Barthes and is based on Mihail Bahtin’s model. In order to regain the human content of this postmodern discourse, we will make a „metalinguistique” analysis.