Corpul în dans
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2021-12-06 12:21
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159.943+793 (1)
Психология (3327)
РАЗВЛЕЧЕНИЯ. ЗРЕЛИЩА. ИГРЫ. СПОРТ (1674)
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IORGA, Anca. Corpul în dans. In: Creativitatea şi dezvoltarea personală : dimensiuni psihologice și filozofice, 22-23 octombrie 2020, Iaşi. România, Iaşi: Performantica, 2020, Ediția a-XI-a, Vol. 1, pp. 170-174. ISBN 978-606-685-717-8.
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Creativitatea şi dezvoltarea personală : dimensiuni psihologice și filozofice
Ediția a-XI-a, Vol. 1, 2020
Conferința "Creativitatea şi dezvoltarea personală : dimensiuni psihologice și filozofice"
Iaşi, Romania, 22-23 octombrie 2020

Corpul în dans

Body in dance

CZU: 159.943+793

Pag. 170-174

Iorga Anca
 
Universitatea „Spiru Haret”, Bucureşti
 
Disponibil în IBN: 12 februarie 2021


Rezumat

The body is in an intimate and indestructible connection with choreography and dance as a practice. Important becomes the problematization, in the sense of an efficiently constructed and trained body, which functions optimally, producing concrete effects that are reflected in the reality of dance as a practical field of performing arts. This is quite difficult as the body is in some way resisting becoming an object of study. We can say that there are so many bodies, how many dancers there are, but we must not forget that each dancer by transposition into the interpreted character, brings together a multitude of bodies. In the art of dance for the clear transmission of the message it is important both the cultural and informational level of the spectator, as well as the accuracy and coherence of the movements performed by the dancer. Body language assumes that the body with its movement speaks in a way that the word cannot speak. There are personalities of the choreographic art who through their own investigations have tried to improve their systems of theatrical communication and their own dance techniques. Sometimes they built their bodily techniques and aesthetic visions based on the visions of their forerunners that they took and developed or contradicted. The dance body becomes the effect of the speech organized by the teachers' movement, choreographers, critics and analysts.

Cuvinte-cheie
body language, choreography, dance, performing arts