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<creators>
<creator>
<creatorName>Cocearova, G.</creatorName>
<affiliation>Academia de Muzică, Teatru şi Arte Plastice, Moldova, Republica</affiliation>
</creator>
</creators>
<titles>
<title xml:lang='ru'>Revelaţie Владимира Чолака: отражение сакральной тематики средствами неоархаики</title>
</titles>
<publisher>Instrumentul Bibliometric National</publisher>
<publicationYear>2019</publicationYear>
<relatedIdentifier relatedIdentifierType='ISSN' relationType='IsPartOf'>2345-1408</relatedIdentifier>
<subjects>
<subject>молдавский композитор</subject>
<subject>Владимир Чолак</subject>
<subject>символика названия</subject>
<subject>откровение</subject>
<subject>«новое сакральное пространство»</subject>
<subject>космизм мышления</subject>
<subject>архетип</subject>
<subject>неоархаика</subject>
<subject>апология простоты</subject>
<subject>принцип аддиции</subject>
<subject>диатоника</subject>
<subject>аудиовизуальная версия</subject>
<subject>compozitorul moldovenesc</subject>
<subject>Vladimir Ciolac</subject>
<subject>revelaţie</subject>
<subject>simbolica titlului</subject>
<subject>„noul spaţiul sacral”</subject>
<subject>gândirea cosmică</subject>
<subject>arhetip</subject>
<subject>neo-arhaică</subject>
<subject>apologia simplicităţii</subject>
<subject>principiul de adiţie</subject>
<subject>diatonică</subject>
<subject>versiunea audiovizuală</subject>
<subject>Moldovan composer</subject>
<subject>Vladimir Cholak</subject>
<subject>symbolism of the title</subject>
<subject>révélation</subject>
<subject>"new sacred space"</subject>
<subject>cosmism of thinking</subject>
<subject>archetype</subject>
<subject>neo-archaic</subject>
<subject>simplicity apology</subject>
<subject>addition principle</subject>
<subject>diatonic</subject>
<subject>audiovisual version</subject>
<subject schemeURI='http://udcdata.info/' subjectScheme='UDC'>785.16(478)</subject>
</subjects>
<dates>
<date dateType='Issued'>2019-12-22</date>
</dates>
<resourceType resourceTypeGeneral='Text'>Journal article</resourceType>
<descriptions>
<description xml:lang='ru' descriptionType='Abstract'><p>Статья посвящена новому произведению молдавского композитора Владимира Чолака Revelaţie (Откровение) для струнного оркестра и представляет собой аналитический этюд, раскрывающий символику его названия в контексте основной концепции сочинения. В его основе лежит идея индивидуального художественного решения, ориентированного как на объективное, так и на субъективное восприятие религиозно-философской тематики и отражающего музыкальными средствами принципы современной тенденции создания новой простоты. Автор затрагивает при этом проблемы, связанные с осмыслением &laquo;нового сакрального пространства&raquo;, с космизмом мышления, и, как результат, с обращением к неоархаике и архетипам старинных песнопений, переносимым в атмосферу инструментального музицирования</p></description>
<description xml:lang='ro' descriptionType='Abstract'><p>Articolul este dedicat unei creaţii noi semnată de compozitorul moldovean Vladimir Ciolac, intitulată Revelaţie pentru orchestra de coarde şi prezintă un studiu analitic ce vizează simbolismul titlului &icirc;n contextul conceptului general al opusului. La baza acestuia se situează o viziune artistică originală, orientată spre percepţia obiectivă şi subiectivă a tematicii religios-filozofice, ce reflectă prin mijloace muzicale principiile tendinţelor contemporane de creare a unei noi simplicităţi. Autoarea abordează probleme legate cu conştientizarea aşa numitului &bdquo;nou spaţiu sacral&rdquo;, cu cosmicitatea g&acirc;ndirii şi, ca rezultat, cu folosirea metodelor neo-arhaicii şi arhetipurilor c&acirc;ntărilor străvechi, transferate &icirc;n atmosfera practicii muzicii instrumentale.</p></description>
<description xml:lang='en' descriptionType='Abstract'><p>The article is devoted to the new work Revelaţie (Revelation) for string orchestra by the Moldovan composer Vladimir Cholak and is an analytical study revealing the symbolism of its title in the context of the basic concept of the composition. It is based on the idea of an individual artistic solution, oriented both to the objective and subjective perception of religious and philosophical themes and reflecting the principles of the modern trends of creating new simplicity by means of music. The author touches upon the problems associated with understanding the &quot;new sacred space&quot;, with the cosmism of thinking, and, as a result, with the appeal to the neo-archaic and archetypes of ancient chants, transferred to the atmosphere of contemporary instrumental music making.</p></description>
</descriptions>
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