Veniamin apostol şi specificul creării personajelor în spectacolul televizat
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ŢAPEŞ, Vitalie. Veniamin apostol şi specificul creării personajelor în spectacolul televizat. In: Artă şi Educaţie Artistică , 2007, nr. 2(5), pp. 84-90. ISSN 1857-0445.
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Artă şi Educaţie Artistică
Numărul 2(5) / 2007 / ISSN 1857-0445

Veniamin apostol şi specificul creării personajelor în spectacolul televizat

Pag. 84-90

Ţapeş Vitalie
 
Academia de Muzică, Teatru şi Arte Plastice
 
Disponibil în IBN: 9 decembrie 2013


Rezumat

It’s been long since the great stage-director and famous actor passed away, but his audience still remembers very clearly the roles that were interpreted by him and the performances that he directed. Even since the rehearsals at the National TV, I succeeded to create that magnificent field (director –actor), that became a truly well-grounded reason to create, together with V. Apostol, several film- performances during one decade: Uncle Vanea by A. P. Chekhov (1991), A Duck Hunting by A. Vampilov (1993), The Hell by M. Gorky (1995), The Shepherd Staff by I. Druţă (1993), The Ward Number Six by A. P. Chekhov (1998), and the radio-performance Opposite to the Jeweler’s Shop by Karol Voytila in 2001 at the radio Antena “C”. Thanks to the presence of V. Apostol on stage all the troupe was bracing up. He always was ready for the rehearsals. He worked with concentration and precision, bearing his score with maximal firm belief. In the film- performance Uncle Vanea 1999, the actor performed the role of Uncle Vanea enforcing himself with his real good performance, with his temperament and humor, looking for fine distinctions and colours using all the means. Soon after that performance, the artist came back to TV, this time to interpret the main role of Victor Zilov from A Duck Hunting by A. Vampilov. For the creation of this character, V. Apostol goes through a ben- ding way, with acute appearances, and contradictable spiritual states. But along all this spiritual states, the actor was real, correct, and deeply emotive, without forcing his voice; he reached the new definition of several real-tragic vibrations. The dramatic tale of I. Druţă -The shepherd Staff, sent throughout the great actor’s voice reaches your soul, opening the old acute wounds of our nation. Later, in 1995, through the Baron’s personage from The hell by M. Gorky, the Actor approached the subject of loneliness and estrangement, of a human being from the society, thing that makes him lose his personality and the sense of life. The last performed role, at the National TV Studio, was Mikhail Averyanovich, from the film- performances The ward number 6 by A. P. Chekhov. Maybe for this score V. Apostol took a little character from each person that he knew, who betrayed him. The great actor was as close as possible in the performance of this role, so as at the editing of the film, in his uttered phrase, every motion, or in his look it was so easy to find out many faces around him. V. Apostol was and remains for me, for his friends, students, or common people who admired, loved his performance and created characters, only this way.