De la aria dervişilor din Pera la răpirea din Serai
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2023-01-23 13:59
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GHILAŞ, Victor. De la aria dervişilor din Pera la răpirea din Serai . In: Artă şi Educaţie Artistică , 2007, nr. 1(4), pp. 24-39. ISSN 1857-0445.
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Artă şi Educaţie Artistică
Numărul 1(4) / 2007 / ISSN 1857-0445

De la aria dervişilor din Pera la răpirea din Serai

Pag. 24-39

Ghilaş Victor
 
Academia de Ştiinţe a Moldovei
 
Disponibil în IBN: 16 decembrie 2013


Rezumat

The relationship between W. A. Mozart and the oriental music has been intensely discussed in the speciality literature, a relationship observed in different forms in the composer’s works. Romanian and foreign scholars have tried to establish the connection between the Abduction From the Seraglio and the Dervish Aria, the latter being attributed to D. Cantemir and believed to be a source of inspiration for the Janissary Chorus (Chor der Janitscharen) from the first and last acts of the opera. The historical documents do admit the possibility of Mozart knowing about the authentic Turkish music; written by Cantemir, especially since there have been found similar melodic formulas in the two works. Based on the reevaluation, on the previous elaborated studies, as well as on new materials, the author tries to bring additional arguments that would approach us to the clarification of the relationship between the musical activity of the Prince of Moldova and the master from Salzburg.