﻿ ﻿﻿ Le réalisme de I.L.Caragiale – une réplique roumaine au courent canonique
 Conţinutul numărului revistei Articolul precedent Articolul urmator 1129 4 Ultima descărcare din IBN: 2021-05-27 17:54 Căutarea după subiecte similare conform CZU 821.135.1 (1850) Literatură romanică balcanică (Literatură română) (1736) SM ISO690:2012VLĂDESCU, Andreea. Le réalisme de I.L.Caragiale – une réplique roumaine au courent canonique. In: Intertext . 2018, nr. 1-2(45-46), pp. 139-147. ISSN 1857-3711. EXPORT metadate: Google Scholar Crossref CERIF DataCiteDublin Core
Intertext
Numărul 1-2(45-46) / 2018 / ISSN 1857-3711

 Le réalisme de I.L.Caragiale – une réplique roumaine au courent canonique The Realism of I.L. Caragiale – a Romanian Response to Canonical Movement
CZU: 821.135.1

Pag. 139-147

 Vlădescu Andreea Université Spiru-Haret, Bucharest Disponibil în IBN: 28 iulie 2018

Rezumat

This study is a comparative approach on the work of the Romanian great classic author I.L. Caragiale. Our essay applies the cultural dialogue principle, which was originated by M. Bakhtine to describe the relation between this writer and the Western realism, a doctrinaire one.  This research focuses its perspective on a double starting point. On one hand, its about the fact that for the relationship between this work and the the French literary movement to which it belongs to, any influence is out of the question. Same applies to any kind of pattern, any model whatsoever. On another hand, our study also goes off from the observation of the uniqueness that characterizes Ion Luca Caragiales entire creation within the Romanian context and of its permanent modernity in a universal context.  Starting our approach from these two ideas, as we advance in our research more and more elements of his outstanding genius are revealed. In addition to what we have already mentioned above, we consider that another two strong arguments stand for Ion Luca Caragiales pure originality. Firstly, the Romanian author has practically no direct predecessors in our literature. He may very well be referred to in modern terms as a literary trend settler. Last, but not least, his type of humour lacks any universal equivalence as far as we know.  Through comments, a wide range of examples and elements of analysis, we are committed to prove and, moreover, we make it our mission to point out in this study Caragiales uniqueness and originality as we see it: a perfect expression of independence in relation to the Realist perspective

Cuvinte-cheie
comparative approach, cultural dialogue,

aesthetic reply, aesthetic differences, canonic Realism, literary doctrine.