As a self phenomenology, the writing has two modes of expressing itself: from the point of view of exteriorization it is the product of the consciousness, and from the point of view of expression it is the product of the unconscious. Primordial unconscious expression had its source in divine impulses. The latter are also addressed as a kind of writing, an inner and invisible one. This system, related to time and the pulsation we create or perceive inside of us during the act of perception and performance was named zeuxilogy (from the Greek word ”SigmaEpsilonUpsilonGamma,MuAlpha” which means engaging. Thus zeuxilogy is the discipline of pulsations combination), a system that accurately describes our performances as creatures who are empowered to create and act, by the instrumentality of giving intentions to the pulsations, types of time. Although in the process of its genesis the writing falls under the categories of necessity, in the frame of disjunctive analogy, in its phenomenal duration the writing is a chain of causes and effects. Via the mechanism underlying its implementation, by the way it expresses the human inner world, and through it, the time, space and universe in which it is integrated, the writing is a superordinate system of signifiers. The writing forms are the parts (elements) that make up this system and express faithfully the stages of human’s ontological development, of the phenomenal synchrony and diachrony, and of its creation and inner state. The writing is the system of the traces of the human spirit and the universe.