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Articolul precedent |
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854 4 |
Ultima descărcare din IBN: 2021-12-15 14:37 |
Căutarea după subiecte similare conform CZU |
792.03 (51) |
Teatru. Artă scenică. Reprezentații teatrale (521) |
SM ISO690:2012 BĂLĂIȚĂ, Vasilica. Alexa Visarion and the Caragialian texts –essence and expressiveness. In: Studiul artelor şi culturologie: istorie, teorie, practică, 2015, nr. 3(26), pp. 99-103. ISSN 2345-1408. |
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Studiul artelor şi culturologie: istorie, teorie, practică | |||||
Numărul 3(26) / 2015 / ISSN 2345-1408 /ISSNe 2345-1831 | |||||
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CZU: 792.03 | |||||
Pag. 99-103 | |||||
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Rezumat | |||||
Ion Luca Caragiale is a national playwright, and is considered a symbol of Romanian society, and more than 100 years have passed since apparently we have not separated psychologically and behaviourally from the template (pattern) in which Ioan Luca Caragiale had set the Romanian society. We believe it´s even worse that students at the Faculty of Theater, in the absence of anthropological study, play dramatic texts literally, which increases the risk to stereotype Caragiale`s opera in school. In this article we intend to present Alexa Visarion`s1 films, based on Ion Luca Caragiale`s short stories, as well as the play D‘ale Carnavalului (Of the Carnival) directed by him, as a guest professor, at the National Theatre Art Institute from Reykjavic, Island (1989). The movies we refer to were the result of some performances played almost wiThthe same distribution for a decade: Năpasta (The Scourage), aft er the short story wiThthe same name, a movie directed in 1985, starring Dorina Lazar, Florin Zamfirescu and Dorel Visan; Inainte de tacere (Before silence, directed in 1978, aft er the story In vreme de razboi (in time of war) novel starring Valeria Seciu and Liviu Rozorea. Our demarche aims at highlighting the universality of Ioan Luca Caragiale by essentialization and expressivity. |
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Cuvinte-cheie Ioan Luca Caragiale, Alexa Visarion, film, théâtre |
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