<?xml version='1.0' encoding='utf-8'?>
<resource xmlns:xsi='http://www.w3.org/2001/XMLSchema-instance' xmlns='http://datacite.org/schema/kernel-3' xsi:schemaLocation='http://datacite.org/schema/kernel-3 http://schema.datacite.org/meta/kernel-3/metadata.xsd'>
<creators>
<creator>
<creatorName>Berezovicova, T.</creatorName>
<affiliation>Academia de Muzică, Teatru şi Arte Plastice, Moldova, Republica</affiliation>
</creator>
</creators>
<titles>
<title xml:lang='ro'>Particularităţile programatismului în suita instrumentală a compozitorilor din Republica Moldova</title>
</titles>
<publisher>Instrumentul Bibliometric National</publisher>
<publicationYear>2015</publicationYear>
<relatedIdentifier relatedIdentifierType='ISSN' relationType='IsPartOf'>2345-1408</relatedIdentifier>
<subjects>
<subject>muzică cu program</subject>
<subject>suită instrumentală</subject>
<subject>programatism de gen</subject>
<subject>programatism stilistic</subject>
<subject>programatism pictural</subject>
<subject>programatism latent</subject>
<subject schemeURI='http://udcdata.info/' subjectScheme='UDC'>[785.04+78.071.1](478)</subject>
</subjects>
<dates>
<date dateType='Issued'>2015-08-11</date>
</dates>
<resourceType resourceTypeGeneral='Text'>Journal article</resourceType>
<descriptions>
<description xml:lang='ro' descriptionType='Abstract'>Articolul este dedicat examinării suitelor instrumentale autohtone sub aspectul realizării programatismului. Sunt analizate diverse varietăţi ale programatismului, cum ar fi cele de gen, stilistic, pictural (fără subiect, cu subiect generalizat, cu subiect concret), precum și programatismul latent, intuit in unele compoziţii fără program declarat și exprimat prin mijloace instrumentale specifice. </description>
<description xml:lang='en' descriptionType='Abstract'>The article is dedicated to the study of the instrumental suites written by native composers from the point of view of the realization of programme music. The author analyses different kinds of programme music such as genre, stylistic, pictorial (without any subject, with a generalized subject, with a concrete subject), as well as latent programme music, felt in some nonprogramme compositions declared and expressed through specific instrumental means. </description>
</descriptions>
<formats>
<format>application/pdf</format>
</formats>
</resource>