Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
2288 1 |
Ultima descărcare din IBN: 2021-08-31 10:01 |
Căutarea după subiecte similare conform CZU |
82.09 (218) |
Critică literară. Studii literare (212) |
SM ISO690:2012 STANTCHEVA, Roumiana. Comment compenser la perte du Beau ? La conception matérialiste comme valeur littéraire In: Intertext , 2016, nr. Ed. sp, pp. 211-222. ISSN 1857-3711. |
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Intertext | |||||
Numărul Ed. sp / 2016 / ISSN 1857-3711 /ISSNe 2345-1750 | |||||
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CZU: 82.09 | |||||
Pag. 211-222 | |||||
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Rezumat | |||||
This article examines Southeast-European stories and novels, where for the first time a rejection of the Beautiful in favour of scientific perception can be observed: Dimo the Orderly by Gheorghi P. Stamatov (1869-1942), Parasites by Barbu Delavrancea (1858-1918), Rich and Poor by Grigorios Xenopoulos (1867-1951) are compared with Emile Zola’s (1840-1902) Nana. These similar themes and topics (the class division of society, the interest in the poor, heredity, pathology, symbolized by money, illness, and death) provide arguments in order to emphasize the existence of a common “system of European values” in a much broader perimeter than that of Western literatures. Thanks to the ideas of literary Naturalism, the materialistic view of life, scientifically legitimized during the Nineteenth century, obtained the credibility to be seen as a literary value. From a literary perspective, we are faced with an objective position of the narrator, adopted by writers (at the expense of the Beautiful, considered until that point as an intrinsic aesthetic value and essential to the art). This article applied the Triangular Pattern, introduced by the author, which implies a constant referring to the phenomena, common to European literatures and does not recommend that scholars remain incarcerated within the study of parallels between Southeast-European literatures. |
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Cuvinte-cheie European Literatures, Gheorghi P. Stamatov, Barbu Delavrancea, Grigorios Xenopoulos, materialistic perception, objective narration, Triangular Pattern in Comparative Literature, literary value, Emile Zola |
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