Comment compenser la perte du Beau ? La conception matérialiste comme valeur littéraire
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2021-08-31 10:01
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82.09 (218)
Critică literară. Studii literare (212)
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STANTCHEVA, Roumiana. Comment compenser la perte du Beau ? La conception matérialiste comme valeur littéraire In: Intertext , 2016, nr. Ed. sp, pp. 211-222. ISSN 1857-3711.
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Intertext
Numărul Ed. sp / 2016 / ISSN 1857-3711 /ISSNe 2345-1750

Comment compenser la perte du Beau ? La conception matérialiste comme valeur littéraire
CZU: 82.09

Pag. 211-222

Stantcheva Roumiana
 
Universitatea din Sofia „Sfîntul Kliment Ohridski”
 
Disponibil în IBN: 7 octombrie 2016


Rezumat

This article examines Southeast-European stories and novels, where for the first time a rejection of the Beautiful in favour of scientific perception can be observed: Dimo the Orderly by Gheorghi P. Stamatov (1869-1942), Parasites by Barbu Delavrancea (1858-1918), Rich and Poor by Grigorios Xenopoulos (1867-1951) are compared with Emile Zola’s (1840-1902) Nana. These similar themes and topics (the class division of society, the interest in the poor, heredity, pathology, symbolized by money, illness, and death) provide arguments in order to emphasize the existence of a common “system of European values” in a much broader perimeter than that of Western literatures. Thanks to the ideas of literary Naturalism, the materialistic view of life, scientifically legitimized during the Nineteenth century, obtained the credibility to be seen as a literary value. From a literary perspective, we are faced with an objective position of the narrator, adopted by writers (at the expense of the Beautiful, considered until that point as an intrinsic aesthetic value and essential to the art). This article applied the Triangular Pattern, introduced by the author, which implies a constant referring to the phenomena, common to European literatures and does not recommend that scholars remain incarcerated within the study of parallels between Southeast-European literatures.

Cuvinte-cheie
European Literatures, Gheorghi P. Stamatov, Barbu Delavrancea, Grigorios Xenopoulos, materialistic perception, objective narration, Triangular Pattern in Comparative Literature, literary value,

Emile Zola