Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
781 3 |
Ultima descărcare din IBN: 2020-05-25 10:19 |
Căutarea după subiecte similare conform CZU |
786.6.082.4 (1) |
Muzică (1807) |
SM ISO690:2012 КОЧАРОВА, Галина. Органный концерт Дмитрия Киценко: особенности аудиовизуальной версии. In: Artă şi Educaţie Artistică , 2015, nr. 1(25), pp. 14-24. ISSN 1857-0445. |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Artă şi Educaţie Artistică | |||||||
Numărul 1(25) / 2015 / ISSN 1857-0445 | |||||||
|
|||||||
CZU: 786.6.082.4 | |||||||
Pag. 14-24 | |||||||
|
|||||||
Descarcă PDF | |||||||
Rezumat | |||||||
The article presents the audiovisual version of the Organ concerto by composer Dmitry Kitsenko – the work which is acting at different stages of his creation in various genre forms, causing a kind of supercycle, consolidated by intertextual connections. Multimedia transformation of Concerto by introducing the visual range based on the works of A. Dürer modifies the basic concept of this work which requires a new approach to its analysis. The author defines its main directions and describes the main features, with an emphasis on the screen material and its relationship with the musical component. |
|||||||
Cuvinte-cheie organ concerto, audio-visual version, concept of work, supercycle, intertextual connections |
|||||||
|
DataCite XML Export
<?xml version='1.0' encoding='utf-8'?> <resource xmlns:xsi='http://www.w3.org/2001/XMLSchema-instance' xmlns='http://datacite.org/schema/kernel-3' xsi:schemaLocation='http://datacite.org/schema/kernel-3 http://schema.datacite.org/meta/kernel-3/metadata.xsd'> <creators> <creator> <creatorName>Cocearova, G.</creatorName> <affiliation>Academia de Muzică, Teatru şi Arte Plastice, Moldova, Republica</affiliation> </creator> </creators> <titles> <title xml:lang='ru'>Органный концерт Дмитрия Киценко: особенности аудиовизуальной версии</title> </titles> <publisher>Instrumentul Bibliometric National</publisher> <publicationYear>2015</publicationYear> <relatedIdentifier relatedIdentifierType='ISSN' relationType='IsPartOf'>1857-0445</relatedIdentifier> <subjects> <subject>organ concerto</subject> <subject>audio-visual version</subject> <subject>concept of work</subject> <subject>supercycle</subject> <subject>intertextual connections</subject> <subject schemeURI='http://udcdata.info/' subjectScheme='UDC'>786.6.082.4</subject> </subjects> <dates> <date dateType='Issued'>2015-06-11</date> </dates> <resourceType resourceTypeGeneral='Text'>Journal article</resourceType> <descriptions> <description xml:lang='en' descriptionType='Abstract'>The article presents the audiovisual version of the Organ concerto by composer Dmitry Kitsenko – the work which is acting at different stages of his creation in various genre forms, causing a kind of supercycle, consolidated by intertextual connections. Multimedia transformation of Concerto by introducing the visual range based on the works of A. Dürer modifies the basic concept of this work which requires a new approach to its analysis. The author defines its main directions and describes the main features, with an emphasis on the screen material and its relationship with the musical component. </description> </descriptions> <formats> <format>application/pdf</format> </formats> </resource>