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Articolul precedent |
Articolul urmator |
1283 10 |
Ultima descărcare din IBN: 2024-01-09 07:23 |
Căutarea după subiecte similare conform CZU |
821.135.1.09 (622) |
Literatură romanică balcanică (Literatură română) (2083) |
SM ISO690:2012 DRĂGULĂNESCU, Sebastian. Nostalgie și identitate la Ștefan Baștovoi și Vasile Ernu. In: Intertext , 2015, nr. 3-4(35-36), pp. 248-254. ISSN 1857-3711. |
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Intertext | |||||||
Numărul 3-4(35-36) / 2015 / ISSN 1857-3711 /ISSNe 2345-1750 | |||||||
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Pag. 248-254 | |||||||
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The personalized literary prose from Iepurii nu mor (Rabbits Don’t Die) by Ștefan Baștovoi and Născut în URSS (Born in the URSS) by Vasile Ernu constitutes, in a certain way, documents of a bad-balanced time of history, between the millennia, which shall be a kind of testimonies for the sophisticated mentalities of an ethnicity found in the groove of two nations. As well as, nowadays, in photography, the selfie represents the most powerful trend, in the same way, the two writers are tempted to make self-portraits, with truthful, precise profiles, on one hand, or having oversized, hyperbolic, distorted features, on the other hand. The eternal repetition of the daily activities from that age, persistent in memories, trigs an artistic click in order to induce positive or negative feelings. The two literary identities are composed from intense nostalgia, little melancholy and pronounced irony, allowing the reader to reflect at the shadows and the flashes of a period apparently passed away. |
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Cuvinte-cheie identity, nostalgia, irony, migration, Moldavian literature |
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