Roland Barthes is a great sociocritic, because he has the merit to develop the problem of fields in semiotics, literary psychoanalysis and socio-historical interpretation. The social criticism is a continuation of Barthes’s writing, considering the fact that the wrinting represents “the relationship between creation and society” scored in the History. The writing is historic not only because it is a social practice, perceived in relation to the communicative act, but also because when we write, we enroll in a historical tradition and the status of text changes during the historical evolution. Starting from the idea that any text is an intertext, by analogy, the reality is seen as an interconnection between opera and reality, as a dialogue between them. The writing preserves the previous meanings, saved by the history and implemented by the society. So, the text allows the incorporation of different codes, formulas, social languages, etc. Aspects of Barthes’s thinking were resumed and fructified by various theoreticians of social criticism.