Acest articol propune o re-evaluare a relatiei dintre avangarda in artele plastice si realismul socialist din Europa de Est. Din perspectiva istoriei si a teoriei artei, am investigat deopotriva extinderea limitelor artistice inspre politica si extinderea ideologiei politice inspre estetica. Analizind aceste interferente in calitatea lor de consecinte ale asa-numitei „constiinte schimbate a timpului”, am incercat sa demonstram modul in care realismul socialist a redirectionat unele dintre metodele de creatie avangardiste impotriva lor insesi, prin transferul acestora in viata cotidiana

This article proposes a re-evaluation of the relation between the fine arts avant-garde and the socialist realism in the Eastern Europe. From the perspective of art history and theory we investigated both the extension of the artistic limits towards politics and the extension of the political ideology towards aesthetics. Analyzing these interferences as consequences of a so-called “changed conscience of time”, we aimed to demonstrate how socialist-realist ideology redirected some of the avant-garde methods of creation against themselves by transferring them in the every-day life..