The article BASSARABIAN PAINTERS AND THE SCHOOL FROM PARIS refers to Bassarabian artists studies in West-European capitals in the first half of the twentieth century and theirs creation, which was carried out far from Bassarabia borders. In this respect, an important role was played by Brussels, Amsterdam, Munich, and especially by Paris, where was established the largest colony of Bassarabian painters. Thus, France claimed the right to consider them as French creative personalities. Among art schools in Paris, were had studied Bassarabian students, a special role played La Grand Chaumière, where are studying Isaac Antcher (1920), Olga Hrschanovskaia (Olby, 1923), Lydia Luzanowsky (1923-1927), Antoine Irisse (1926) and Alexandre Hinkis (1933), who also follows the National Superior School of Decorative Arts, which he graduates in 1939, Zelman Otciacovsky also studies at the National Superior School of Decorative Arts (1923-1926) and at the Ranson Academy (1935), as well here studies Samson Flexor (1924-1926), who continues his studies at La Grand Chaumière. In 1925 at the Julian Academy begins his studies Sasha Moldovan, and then continuing its at La Grand Chaumière. At the Ransson Academy are enrolled as students Numa Patlajean and Pertz Vaxman (1910). Most of Bassarabians are studying at the National Superior School of Decorative Arts in different periods of the years 1920-1930. Among the first established here appears Felix Roitman (1925), Gregoire Michonze (1923), Joseph Bronstein (1924), Elena Barlo (1932-1934), Natalia Brăgalia (1928-1931), Tatiana Senkevici-Bulaviţchi (1929-1932) and others.