|Conţinutul numărului revistei|
|Ultima descărcare din IBN:|
| SM ISO690:2012|
GAGIM, Ion. “Muzica” de dincolo de muzica lui Gheorghe Mustea. In: Anuar ştiinţific: muzică, teatru, arte plastice. 2012, nr. 3(16), pp. 28-37. ISSN 1857-2251.
|Anuar ştiinţific: muzică, teatru, arte plastice|
|Numărul 3(16) / 2012 / ISSN 1857-2251|
The present article is elaborated on the basis of auditory study of the creation of the composer Gheorghe Mustea: works of different genres (symphonic, vocal-symphonic, chamber, opera, choral music, theatre and film music, pop and folk music) were heard a lot of time in order to identify in terms of auditory conscience the music and artistic message encoded in sounds.
The article argues the specificity and the value of the auditory method in studying music (in relation to the visual analysis of the score) from a musicological and philosophical perspective. There are updated and implemented the three types of music (plans of music) formulated by Boethius — musica mundana, musica humana, musica instrumentalis — to which is reported the music of Gheorghe Mustea. The creation of Gheorghe Mustea is impregnated with „music” of the sonorous environment where he was born and was trained as a musician and artistic personality: the folk music and the music often „unheard” at the level of conscience which is the acoustical and psychological, aesthetic and sonorous substratum of his creation — the vibrations of the woods, the hills, the valleys, the orchards, the air of his homeland. Thus, behind the music of the composer is hidden another music (a sonorous universe), which is the musica mundana and musica humana from which derives musica instrumentalis
(the creation itself) of the composer. By a profound analysis we get an image and a proper and deep understanding (philosophical, aesthetic, spiritual and metaphysical) of the music of the composer Gheorghe Mustea.
metoda auditivă în studiul muzicii, musica mundana, musica humana, musica instrumentalis