The present article has as its object to analyse the first models of use of Spanish and Portuguése cultural traditions by a composer from the Republic of Moldova. The ways are shown by which Vladimir Ciolac has come to compose the series of variations in an specific genre named folia, and a musical sonettoes ones by Lope de Vega’s verses. The names of famous composers are mentioned (M. I. Glinka, N. A. Rimski-Korsakov, S. V. Rahmaninov, G. Bizet, M. Ravel and, especially, A. Salieri), whose versions of development of Spanish musical treasure was an example for Vladimir Ciolac. The article containes an brief summery in regard to the evolution of folia genre from its Portuguése origins to the stages o transformations within the framework of the Spanish culture, as well as of European one. The role is pointed which the sonetto is meantaining in Lope de Vega’s list of artistic wins. The young performers’ technical skills are recommended to the audience, who make theirselves ready for an absolute premiere of two compositions within the framework of The days of new music festival. In the analytical part of the article the morphological and syntactic aspects of influence of folk Spanish genres from the central regions of the country are investigated (the Andalusian cante flamenco and cradle-song, the Castillian seguidilla, the Basque dans with swords, the Aragon jota, the fandango), which have an influence upon the elaboration of the stylistic elements of those two studied compositions. In the process of demonstration of the Spanish music language’s ways of formation, the common ground is releved between it and the Moldovan cultical one, thanks to Byzantine religious sonic art’s infl uence upon both of them. The special mode of application of typical stylistic elements is developed too, which is in concordance with those two methods of interpretation of the Spanish exotism. It was especially elaborated by two exponents of Franch culture – G. Bizet and M. Ravel. Regarded in socio-psychological light,Vladimir Ciolac’s Folia belongs to the genres, which are inspirated by the folk traditions of Spanish music, while The four sonetti by Lope de Vega’s verses delineate the professional music’s outlines, which is destinated for aristocratic salones. It has the more generalised European-like, less personal shade of similare elements of expression.