| Conţinutul numărului revistei |
| Articolul precedent |
| Articolul urmator |
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 1113 20 |
| Ultima descărcare din IBN: 2023-06-11 08:50 |
| Căutarea după subiecte similare conform CZU |
| [782.8:792.5+78.071.1](478) (1) |
| Muzică dramatică. Operă (98) |
| Teatru. Artă scenică. Reprezentații teatrale (521) |
 SM ISO690:2012TCACENCO, Victoria. Porţile de Ghenadie Ciobanu. Problema identificării genuistice. In: Arta , 2011, nr. 1(AAV), pp. 46-48. ISSN 2345-1181. |
| EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
| Arta | ||||||
| Numărul 1(AAV) / 2011 / ISSN 2345-1181 /ISSNe 2537-6136 | ||||||
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| CZU: [782.8:792.5+78.071.1](478) | ||||||
| Pag. 46-48 | ||||||
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| Rezumat | ||||||
The present article written by V.Tcacenco is dedicated to one of the new musical-theatrical works which has been appeared on the national stage at the end of 2010. The Gates written by Gh.Ciobanu treats the genre pricpicles of musical in a very individual way. Author analyses three basic levels of this work (verbal, audio and visual ones) descovering an unusual fusion of mass culture and academical music thinking, as well as an influence of trendy post modernism ideas. The artilce structure is based on a concept about polysubject, polystilistic and polygenre nature of modern musical. |
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| Cuvinte-cheie musical, libretto, mithological ans arhetipal thinking, musical-theatrical form, visual aspects of the show |
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