The article “Dilemmas of critical discourse in Moldova’s theatre ” touches upon the problems of the critical discourse and its role in the dramatic culture of Bessarabia. In present days ,when the theatre critic became a true confluence of ideas, of search and polemics, this critic seems to become more doubtful, like its statute of promoter and agent of aesthetic validation values ,which should be integrated in a more expended circuit, that of the universal theatric art. The criticism in the public and its absence equally reflects the level of development of theatric art. Unfortunately, at the present moment once can notice an ineffective communication between the critic and director, actor of the theatre of Moldova.