Romanian folk theater is not a petrified museum specimen. Between early syncretic hunting (when you pretend to be the same blood with the pray meant primarily a hunting technique, but also admirable mastery of the art of imitation – plastics, clothing) and neighborhood with formal, academic scenes, of theatrical art, what is important to mention is namely the influence and delicate sublimation of the relation of popular performances with modern scenes. The common mobile of all scenes is the view and presentation / consideration of the OTHER.