The article explores the problems of perception cinema mythology of French neo-vanguard of the 1960s in the aspect of interculturality. Cinema as a special language, as a way of perception of the world by mid-century had passed several stages of development. The modern perception of the films of the French neo-vanguard-1960s, gives the basis to assume, that the social adaptation in the conditions of интеркультуральности going through a kind of return to realism, search and revival of psychology in the new genre structures and forms of the film language.