Emilian Galaicu-Păun: postmodern remodelling discusses the novel Țesut viu. 10x10. (2011, 2014), dedicated to the memory of the master Gheorghe Crăciun (2014 edition), is addressed to the cultivated reader, for only he can understand and taste the finer points of the text, in an Asian style, excessively mannered, the novelist wants to be an "aesthete of the word". Volens-nolens, the references to Creanga are not accidental, they have become components of the "text of the world". Directly or indirectly, Creanga is also rewritten by Galaicu-Păun, but in a way specific to him. At least in his recollection of the "childhood of the universal child", Creanga is in the epic memory of every Romanian prose writer. The relationship between Creanga's narrative model and the poetics of Țesut viu. 10x10.(Live Tissue10x10) is not a matter of formal, purely thematic aspects (as is the case, for example, with Ionel Teodoreanu's La Medeleni, Ion Druță's Horodiște or Paul Goma's Din calidor); Creanga's model is, without fear of being mistaken, the true pattern of the Romanian novel and not only of the modernist novel, but also of the postmodernist novel. The continuity of the model in the modernists is achieved by rewriting it, in the postmodernists by deconstructing it, in other words, by, so to speak, "remodelling the model".