This article is a critical analysis of the novel “La Storia” (“History” (1974)), written by the Italian writer Elsa Morante (1912-1985). The undertaken analysis favours the deconstruction aspect of male teleological discourse on history as an orderly sense of the lived time, as opposed to the feminine view of the past representation. “La Storia” stages the inevitable human condition of being “inside” the History, inside the centrifugal machine of historical events. The study results highlight the individual and deeply subjective versions of the human being / woman on the Great History and on the short life stories, always insignificant and left out of the interests of exemplary speeches. The study demonstrates that the theme of female remembrance is fundamental to understanding the past and human history, which is transformed and fixed as a product of individual discourse and consciousness.