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Ultima descărcare din IBN: 2021-12-06 10:09 |
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785.6:[788.1+786.2]:071.1 (1) |
Muzică instrumentală. Muzică simfonică. Gruparea instrumentelor. Muzică pentru ansamblu (274) |
ȘTIINȚĂ ȘI CUNOȘTINȚE. ORGANIZARE. ȘTIINȚA CALCULATOARELOR. INFORMARE. DOCUMENTARE. BIBLIOLOGIE. INSTITUȚII. PUBLICAȚII (10227) |
SM ISO690:2012 HANGANU, Dumitru, BADRAJAN, Svetlana. Aspecte ale tratării mijloacelor tehnico–expresive și interpretative ale trompetei în studiul de concert de Alexandru Sochireanschi și Oleandra de Vladimir Slivinski. In: Patrimoniul cultural: cercetare, valorificare, promovare, Ed. 13, 27-28 mai 2021, Chișinău. Chișinău: Institutul Patrimoniului Cultural, 2021, Ediția 13, vol.2, pp. 34-39. ISBN 978-9975-3513-7-9. DOI: https://doi.org/10.52603/9789975351379.05 |
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Patrimoniul cultural: cercetare, valorificare, promovare Ediția 13, vol.2, 2021 |
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Conferința "Patrimoniul cultural: cercetare, valorificare, promovare" 13, Chișinău, Moldova, 27-28 mai 2021 | |||||
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DOI: https://doi.org/10.52603/9789975351379.05 | |||||
CZU: 785.6:[788.1+786.2]:071.1 | |||||
Pag. 34-39 | |||||
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The instrumental chamber music works by composers from the Republic of Moldova are rich and diverse, both in terms of the musical genres addressed and the instruments required, either for the ensemble or solo parts. The trumpet, an instrument with wide technicalinterpretative and expressive possibilities, offers composers an ample opportunity for harnessing its potential. The two works, which we will analyze from an interpretive point of view – “The Concert Study” for trumpet and piano (in B) by Alexandr Sokireanski (1977) and “Oleandra” for trumpet and piano (in B) by Vladimir Slivinski (1979), are part of the active repertoire of trumpeters and are of interest to researchers. They require certain execution skills and a certain level of handling the instrument, as they contain elements with a high degree of difficulty; we refer here to the rhythmic structure, the complexity of dynamic nuances, technical elements, the change of tempo during the proceeding of the musical discourse, the exploitation of the acute register of the trumpet. |
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Cuvinte-cheie chamber works, trumpet, interpretation, technical elements, expressive means, ideational content |
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