<?xml version='1.0' encoding='utf-8'?>
<oai_dc:dc xmlns:dc='http://purl.org/dc/elements/1.1/' xmlns:oai_dc='http://www.openarchives.org/OAI/2.0/oai_dc/' xmlns:xsi='http://www.w3.org/2001/XMLSchema-instance' xsi:schemaLocation='http://www.openarchives.org/OAI/2.0/oai_dc/ http://www.openarchives.org/OAI/2.0/oai_dc.xsd'>
<dc:creator>Tipa, V.V.</dc:creator>
<dc:date>2021</dc:date>
<dc:description xml:lang='en'><p>The article focuses on the analysis of the fair, which is a reflection of the image of society, its material and spiritual values. The market, which in the Middle Ages attributed to its role as a commercial market an arena of social, political and cultural life as well, becomes a significant space in the dramaturgy of some films. We will research, in particular, the role and functions of the fair in films inspired from Ion Creanga&rsquo;s works, starting with Amintiri din copilărie/ Childhood Memories (1965) and Mama/Mother (1976) &ndash; both directed by Elisabeta Bostan, Povestea dragostei/The Love Story (1977) and Rămășagul/The Wager (1984) directed by Ion Popescu-Gopo and ending with the film Dănilă Prepeleac (1998) in the vision of Tudor Tătaru. The fair with its full spectrum of elements becomes a phenomenon specific to our Romanian space, which identifies with a mundi axis of the world. All the more so in the film, the fair is assigned determining functions in its dramaturgical structure: the drama of the plot is woven, which provokes the characters to new actions; an identity landscape of space and time is prefigured.</p></dc:description>
<dc:source>Tradiţii şi procese etnice (Ediția 2) 62-68</dc:source>
<dc:subject>fair</dc:subject>
<dc:subject>Market</dc:subject>
<dc:subject>film</dc:subject>
<dc:subject>Ion Creanga</dc:subject>
<dc:subject>amintiri din copilărie.</dc:subject>
<dc:title>Lumea iarmarocului: interpretări/ provocări cinematografice(reflecții &icirc;n baza filmelor inspirate din opera lui Ion Creangă)</dc:title>
<dc:type>info:eu-repo/semantics/article</dc:type>
</oai_dc:dc>