Păpușa „Ţiganca din Moldova” ca simbol al percepției romantice a romilor în perioada sovietică
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Desen. Design. Artă aplicată și meserii de artă (336)
Sociologia culturii. Contextul cultural al vieții sociale (776)
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PROCOP, Svetlana. Păpușa „Ţiganca din Moldova” ca simbol al percepției romantice a romilor în perioada sovietică. In: Tradiţii şi procese etnice, Ed. 2, 30 martie 2021, Chişinău. Chişinău: Fox Trading SRL, 2021, Ediția 2, pp. 41-48. ISBN 978-9975-3337-8-8. DOI: https://doi.org/10.52603/9789975333788.05
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Tradiţii şi procese etnice
Ediția 2, 2021
Simpozionul "Tradiţii şi procese etnice"
2, Chişinău, Moldova, 30 martie 2021

Păpușa „Ţiganca din Moldova” ca simbol al percepției romantice a romilor în perioada sovietică

The “Gypsy from Moldova” doll as a symbol of romantic perception of roma in the soviet period

DOI: https://doi.org/10.52603/9789975333788.05
CZU: [745+316.7](478)

Pag. 41-48

Procop Svetlana
 
Institutul Patrimoniului Cultural
 
Disponibil în IBN: 4 noiembrie 2021


Rezumat

This study is devoted to the conceptualization of the «Gypsy of Moldova» doll, which became an ethnocultural symbol in the Soviet period. The doll the «Gypsy of Moldova», which has the status of a souvenir, made at the Chisinau toy factory by the Association of Chemical Enterprises in 1975, was sketched by S. Chervinskaya, the chief artist of the enterprise, a member of the Union of Artists of the USSR. The doll «Gypsy of Moldova», made at the Chisinau toy factory in the mid-70s, along with other ethnic dolls, fit into the task of producing souvenirs as an important resource for increasing the tourist attractiveness and shaping the image of the republic. The doll «The Gypsy of Moldova» is interesting because it eventually moved from the subject world to the conceptual one, concentrating in itself the ideals and problems of the Soviet era, during which the idea of those who were personified by this doll was extremely romanticized. Nevertheless, the doll the «Gypsy of Moldova», thanks to the author’s idea of S. M. Chervinskaya, still broadcasts both universal and national-cultural components, the identity of the ethnic group, being its original portrait and symbol.

Cuvinte-cheie
souvenir doll, image of a gypsy woman, ethnocultural symbol, romantic perception, artist S. M. Chervinskaya