Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
630 0 |
SM ISO690:2012 CRECICOVSCHI, Ecaterina. Tetralogia maelowiană în contextul experimentului conradian cu tehnica narativă
. In: Metaliteratură, 2011, nr. 3-4(26), pp. 111-115. ISSN 1857-1905. |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Metaliteratură | ||||||
Numărul 3-4(26) / 2011 / ISSN 1857-1905 | ||||||
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Pag. 111-115 | ||||||
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Rezumat | ||||||
In comparison with the third-person narratives, the first-person narratives, especially
those with Marlow, represent a turning point in the literary activity of Joseph Conrad
(1857-1924). Much has been written about the importance of this narrator in the context of
the writer’s experiment with the narrative technique. Thus, the article focuses on Marlow’s
contribution to the treatment of Neoromantic concerns in Youth, The Heart of Darkness, Lord
Jim and Chance.
In Youth and The Heart of Darkness, for instance, certain Neoromantic themes like the
contrast between the young idealist and the middle-aged man, the absolute and the relative
truth are technically tackled by means of dialogization. Lord Jim, on the other hand, relies on
point of view and concentric circles, while the essence of the sophisticated narrative method
in Chance resides in the reflection of some Neoromantic preoccupations that rarely appear
in J. Conrad’s works – mystery, chance as a factor determining the human destiny, romantic
idyll, etc.
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Cuvinte-cheie Marlow, narrator, writer’s experiment, narrative technique |
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