Admop oõpaugaem BHUJVtaHUe Ha momwgmue ðuanoe u MHoeoeonocue, Komopbte onpeðenmom 0111HozueHue A.C.  K Mupy 6 genou. bone moeo, õe3 npucymcmgun MHoeoeonocL1fl He603MO)KeH õb1A õbl ðuanoe, Komopblû no onpeðeneHL110 npeðnonaeaem cyugecmgogmue Pa3Hb1X 6uðeHuû u Komopblû geðemcn ðM coõcm6eHHoeo yacHeHL1fl Bonyrougux ðyzuy gonpocog. B cmambe admop nbtmaemcn npoðeM0Hcmpup06a111b ocyugecm6neHue ðuanoea KYAbmyp 6 guK.ne l<opmy» (1824) A. C. IllJZUKUHa.

The author pay attention to the interpretation of the words of dialogue and polyphony, which determine the attitude of A.S. Pushkin to the world as a whole. Moreover, without the presence of polyphony would have been impossible the dialogue, which by definition implies the existence of different visions and maintained for understanding the exciting of the soul's own questions. In the article the author tries to demonstrate the implementation of the dialogue of cultures in a cycle of "Imitation of the (1824) ofA. S. Pushkin.