Often, Villa-Lobos' studies contain more than one technical idea or, on the
contrary, there are sections within a study that insist on a single problem. However,
nothing is lost in the musical quality: the sound is always rich, and the presence of a
wide range of colors increases the possibilities of exposing a virtuous interpretation.
This "pattern-thinking" as Jukka Savijoki calls it in his book "The Guitar Works of
Heitor Villa-Lobos", often provides the solution to correcting some notations of
fingerings or sounds, but this this does not happen every time, due to which the
interpreter will be late with the learner.

Often, Villa-Lobos' studies contain more than one technical idea or, on the
contrary, there are sections within a study that insist on a single problem. However,
nothing is lost in the musical quality: the sound is always rich, and the presence of a
wide range of colors increases the possibilities of exposing a virtuous interpretation.
This "pattern-thinking" as Jukka Savijoki calls it in his book "The Guitar Works of
Heitor Villa-Lobos", often provides the solution to correcting some notations of
fingerings or sounds, but this this does not happen every time, due to which the
interpreter will be late with the learner.