Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
350 12 |
Ultima descărcare din IBN: 2024-03-16 21:04 |
SM ISO690:2012 GĂINĂ, Boris, ALEXANDROV, Eugeniu, DOBREI, Alin. Via și vinul în arta mondială. In: Pomicultura, Viticultura şi Vinificaţia, 2019, nr. 5-6(83-84), pp. 64-71. ISSN 1857-3142. |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Pomicultura, Viticultura şi Vinificaţia | ||
Numărul 5-6(83-84) / 2019 / ISSN 1857-3142 | ||
|
||
Pag. 64-71 | ||
Descarcă PDF | ||
Rezumat | ||
Each nation constituting its cultural identity is based on several symbols, customs, legends, religious beliefs etc., which leave its mark on the development of society. One of the commonly used symbols is also the vine. In all times the painters were overwhelmed by the vine, the giſt of the gods. On the canvases of the great masters of the past and of the present we see compositions related to the cultivation of the vine, as well as the production of wine. Over the course of his life, man struggled to make his own living space and beautify his living space. Still in the Stone Age, our ancestors were drawing bison, horses, tigers, mammoths and other animals on the walls of the cave. These were the fi rst steps of mankind in the development of art. With the emergence of the fi rst civilizations and the fi rst cities, various techniques of expressing everything that is beautiful and capable of provoking positive emotions have developed. |
||
Cuvinte-cheie art, collections, landscape, painting, decorative stones, Vineyards |
||
|
DataCite XML Export
<?xml version='1.0' encoding='utf-8'?> <resource xmlns:xsi='http://www.w3.org/2001/XMLSchema-instance' xmlns='http://datacite.org/schema/kernel-3' xsi:schemaLocation='http://datacite.org/schema/kernel-3 http://schema.datacite.org/meta/kernel-3/metadata.xsd'> <creators> <creator> <creatorName>Găină, B.S.</creatorName> <affiliation>Academia de Ştiinţe a Moldovei, Moldova, Republica</affiliation> </creator> <creator> <creatorName>Alexandrov, E.G.</creatorName> <affiliation>Institutul de Genetica şi Fiziologie a Plantelor , Moldova, Republica</affiliation> </creator> <creator> <creatorName>Dobrei, A.</creatorName> <affiliation>Universitatea de Ştiinţe Agricole şi Medicină Veterinară a Banatului "Regele Mihai I al României", România</affiliation> </creator> </creators> <titles> <title xml:lang='ro'>Via și vinul în arta mondială</title> </titles> <publisher>Instrumentul Bibliometric National</publisher> <publicationYear>2019</publicationYear> <relatedIdentifier relatedIdentifierType='ISSN' relationType='IsPartOf'>1857-3142</relatedIdentifier> <subjects> <subject>art</subject> <subject>collections</subject> <subject>landscape</subject> <subject>painting</subject> <subject>decorative stones</subject> <subject>Vineyards</subject> </subjects> <dates> <date dateType='Issued'>2019-11-01</date> </dates> <resourceType resourceTypeGeneral='Text'>Journal article</resourceType> <descriptions> <description xml:lang='en' descriptionType='Abstract'><p>Each nation constituting its cultural identity is based on several symbols, customs, legends, religious beliefs etc., which leave its mark on the development of society. One of the commonly used symbols is also the vine. In all times the painters were overwhelmed by the vine, the giſt of the gods. On the canvases of the great masters of the past and of the present we see compositions related to the cultivation of the vine, as well as the production of wine. Over the course of his life, man struggled to make his own living space and beautify his living space. Still in the Stone Age, our ancestors were drawing bison, horses, tigers, mammoths and other animals on the walls of the cave. These were the fi rst steps of mankind in the development of art. With the emergence of the fi rst civilizations and the fi rst cities, various techniques of expressing everything that is beautiful and capable of provoking positive emotions have developed.</p></description> </descriptions> <formats> <format>application/pdf</format> </formats> </resource>