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[72+396](498)(092) (2) |
Arhitectură (635) |
Antropologie culturală. Ethnografie. Obiceiuri. Tradiții. Datini. Mod de viață. Folclor (2219) |
SM ISO690:2012 TEODORESCU, Sidonia. Architect Virginia Andreescu-Haret (1894–1962). In: Patrimoniul cultural de ieri – implicații în dezvoltarea societății durabile de mâine, Ed. 3, 11-12 februarie 2021, Chişinău. Chișinău, Republica Moldova: 2021, Ediția 3, pp. 213-214. ISSN 2558 – 894X. |
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Patrimoniul cultural de ieri – implicații în dezvoltarea societății durabile de mâine Ediția 3, 2021 |
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Conferința "Yesterday’s heritage – implications for the development of tomorrow’s sustainable society" 3, Chişinău, Moldova, 11-12 februarie 2021 | ||||||
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CZU: [72+396](498)(092) | ||||||
Pag. 213-214 | ||||||
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Maria Virginia Andreescu-Haret (1894, Bucharest –1962, Bucharest) was the first woman who had the right to practice architecture in Romania. In 1919, she graduated from the Higher School of Architecture in Romania, and her diploma, bearing the number 62, is the first diploma in architecture awarded by the school to a woman. She was the niece of painter Ioan Andreescu and in 1928 she married Spiru I. Haret (1892–1970), civil engineer and nephew of the scientist Spiru C. Haret. Virginia Andreescu Haret and Spiru I. Haret became collaborators and had a son together, Radu Sp. Haret, who later became an engineer. Between 1919 and 1922, she worked as an architect at the Historical Monuments Commission and in the architectural practice of prof. arch. Petre Antonescu. After training in Rome (1921–1922), where she also participated in archaeological research, returning to Romania, she worked for the “Modern Construction” Society for a short time, and since 1922 she was employed in the Technical Service of the Ministry of Public Instruction, within the House of Schools, where she worked until 1947. Virginia Andreescu-Haret is the first woman who reached the degree of architect inspector general in our country. After 1947, she worked in the A.G.I.R., then at the Technical Publishing House, at the Romanian-Soviet Design Institute and at the C.S.C.A.S., until 1954, when she retired. Her most famous works in Bucharest are: “Romanian Youth” Palace, in collaboration with architect Jean Pompilian; “Cantemir Vodă” National College; “Gheorghe Șincai” National College (Șerban Vodă wing); the “Holy Trinity Ghencea” church, in collaboration with architect Jean Pompilian; the Communal Society for Cheap Housing in Rosetti Square, corner with Hristo Botev Blvd., in collaboration with architect Jean Pompilian. |
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