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Articolul urmator |
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Ultima descărcare din IBN: 2021-03-24 16:05 |
Căutarea după subiecte similare conform CZU |
[745.52+391](=161.2)(477)"XIX-XX" (1) |
SM ISO690:2012 FEDORCHUK, Olena. The hearth of folk artas a phenomenon ethnic artistic tradition. In: Patrimoniul cultural de ieri – implicații în dezvoltarea societății durabile de mâine, Ed. 3, 11-12 februarie 2021, Chişinău. Chișinău, Republica Moldova: 2021, Ediția 3, pp. 103-105. ISSN 2558 – 894X. |
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Patrimoniul cultural de ieri – implicații în dezvoltarea societății durabile de mâine Ediția 3, 2021 |
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Conferința "Yesterday’s heritage – implications for the development of tomorrow’s sustainable society" 3, Chişinău, Moldova, 11-12 februarie 2021 | ||||||
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CZU: [745.52+391](=161.2)(477)"XIX-XX" | ||||||
Pag. 103-105 | ||||||
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The hearth of folk art is a place of artistic practices and connected tradition and rituals, during which are created the distinctive features of a local tradition. The study of the phenomenon of the focus of folk art was carried out on the basis of the ethno-artistic tradition of beaded decoration of the folk costume of Ukrainians. The centers of this tradition were formed in the first half of the 19th century under the influence of a many factors, the analysis of which was carried out in a separate article. The proposed study raises the question: why did the influence of favorable factors not everywhere cause the created centers of a widely available type of folk art? It was determined that the tradition of beaded decoration of the folk costume of Ukrainians was often localized in polymorphic centers, where other more ancient artistic traditions had successfully developed before. For several generations, creative craftsmen have worked in such centers, skillfully developing the peculiar features of local traditions. The polymorphic character of the hearth and the predisposition of local inhabitants to various artistic practices prompted to study hearth of folk art as places-phenomena that have a special energy field conducive to the birth of passionaries, the best way of self-realization of which is artistic creativity. In the 1950s and 1970s the tradition of beaded decoration of the folk costume of Ukrainians was going through a phase of extinction. Many centers have ceased to function, as a result of which some knowledge and experience has been lost. In the end of 1980s, in the wake of an increase in the ethnic self-awareness of Ukrainians and the awakening of interest in ethnic artistic heritage, began the phase of the actualization of the tradition. It is noteworthy that the actualization of the artistic tradition of the beaded decoration of the folk costume of Ukrainians is mainly observed in the former centers of tradition, but due to the loss of knowledge, not everywhere is equally successful. The author considers the centers, which formed independently in the first half of the 19th century and functioned successfully until the middle of the 20th century, as a significant resource for the revival of tradition. From here, effective measures of modeling the quality of modern artistic processes are seen joint plein airs of folk, amateur and professional craftsmen, held in traditional hearths with the curatorial participation of ethnologists and art historians,knowledge of the peculiarities of local traditions |
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