The writer Sergiu Matei Nica (1917-1973), considered one of the most representative Bessarabian poets and publicists, configures in his texts a stratified, mobile Chisinau urban space from a heterogeneous contiuum of experiences, remembered by confrontation with major historical-social or political traumas. The moving fictional radiography of Chisinau converges towards the creation of nostalgic products of the mnemonics of multiple experiences and the understanding of urban space as a living space that shapes collective images. Multilocation by analogy with multivocality expresses in Sergiu Matei Nica's texts the reflective relationship with the city, the different experimentation depending on the change of place identity and the complex historical: the interwar city of youthful memories, of the remembrance of bohemian life in all sectors of the capital, of the tragedy of June 28, 1941; the city guarded by superhumans from poetry published in volumes, periodicals and unpublished, but also the city of seminarian experience, the destroyed city, through the fire, of the bitterness of the irreparable, with a strong trace of alienation on return and the Soviet city with a severely changed soul from short prose, the city of longing dreams of the convict at forced labor at the Danube-Black Sea Canal, of the fugitive who lives another inner existence from original newspaper pages.