| Articolul precedent |
| Articolul urmator |
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 769 0 |
| Căutarea după subiecte similare conform CZU |
| 786.2(478)(072.3) (1) |
| Muzică (1807) |
 SM ISO690:2012KUZMINOVA, Marina, ГУПАЛОВА, Елена. Некоторые особенности изучения фортепианных произведений Олега Негруцы в старших классах музыкальной школы. In: Interuniversitaria, 8 octombrie 2020, Bălți. Bălți, Republica Moldova: Universitatea de Stat „Alecu Russo" din Bălţi, 2020, Ediția 16, pp. 226-231. ISBN 978-9975-50-248-1. |
| EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
| Interuniversitaria Ediția 16, 2020 |
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Colocviul "Interuniversitaria" Bălți, Moldova, 8 octombrie 2020 | ||||||
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| CZU: 786.2(478)(072.3) | ||||||
| Pag. 226-231 | ||||||
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This article explores the features of studying the piano works of Oleg Negruta in the higher classes of music school. Piano plays by O. Negrutsa are based on clear, figurative, memorable themes that have a number of national-genre properties. They are distinguished by the subtlety of the transfer of Moldavian flavor. All his works are distinguished by clear phrasing, clear articulation, flexible thematic contours, subtle strokes, vivid climaxes and sharp dynamic contrasts that are often found in practice of lautarian performance. |
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| Cuvinte-cheie O. Negrutsa, piano plays, Moldavian flavor, the higher classes, music school, lautarian performance, folklore |
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