Некоторые особенности изучения фортепианных произведений Олега Негруцы в старших классах музыкальной школы
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786.2(478)(072.3) (1)
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KUZMINOVA, Marina; ГУПАЛОВА, Елена. Некоторые особенности изучения фортепианных произведений Олега Негруцы в старших классах музыкальной школы. In: Interuniversitaria. Ediția 16, 8 octombrie 2020, Bălți. Bălți, Republica Moldova: Universitatea de Stat „Alecu Russo” din Bălți, 2020, pp. 226-231. ISBN 978-9975-50-248-1.
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Interuniversitaria
Ediția 16, 2020
Colocviul "Interuniversitaria"
Bălți, Moldova, 8 octombrie 2020

Некоторые особенности изучения фортепианных произведений Олега Негруцы в старших классах музыкальной школы


CZU: 786.2(478)(072.3)
Pag. 226-231

Kuzminova Marina, Гупалова Елена
 
Бельцкий Государственный Университет "Алеку Руссо"
 
Disponibil în IBN: 7 decembrie 2020


Rezumat

This article explores the features of studying the piano works of Oleg Negruta in the higher classes of music school. Piano plays by O. Negrutsa are based on clear, figurative, memorable themes that have a number of national-genre properties. They are distinguished by the subtlety of the transfer of Moldavian flavor. All his works are distinguished by clear phrasing, clear articulation, flexible thematic contours, subtle strokes, vivid climaxes and sharp dynamic contrasts that are often found in practice of lautarian performance.

Cuvinte-cheie
O. Negrutsa, piano plays, Moldavian flavor, the higher classes, music school, lautarian performance, folklore