In this article we will review the meanings of the „Other" image which has acquired to different authors and to some disciplines such as psychology, ethnology, history, sociology, anthropology and, in particular, of the comparative literature. Actually, there are many types of imagologies which depending on the specific approach of the „Other‖. Starting from the way they define their subject matter, namely the notion of the „Other‖, imagology is divided into psychological imagology, historical imagology, literary imagology, anthropological imagology, social imagology.