| Articolul precedent |
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| Ultima descărcare din IBN: 2023-05-01 11:26 |
| Căutarea după subiecte similare conform CZU |
| 821.135.09 (23) |
| Literatură romanică balcanică (Literatură română) (2085) |
 SM ISO690:2012MITITELU, Oxana. Controlul trecutului şi structura artistică a identităţii naţionale în Basarabia. In: Ştiinţă, educaţie, cultură , Ed. 1, 15 februarie 2019, Comrat. Comrat, Republica Moldova: Universitatea de Stat din Comrat, 2019, Vol.2, pp. 44-50. ISBN 978-9975-83-085-0. |
| EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
| Ştiinţă, educaţie, cultură Vol.2, 2019 |
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Conferința "Ştiinţă, educaţie, cultură" 1, Comrat, Moldova, 15 februarie 2019 | ||||||
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| CZU: 821.135.09 | ||||||
| Pag. 44-50 | ||||||
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| Rezumat | ||||||
In 1953 Romania and Romanianism became the real prey of the great East Empire, the USSR, whose beginning was Bessarabia. The imperial political tradition is based on a totalitarian political system and an ideology that guides the cult of violence as the guiding light. The first "live" manifestations of this long and dramatic process of falsification of history and denationalization of Bessarabia, Paul Goma wrote in the novel Din Calidor. Paul Goma's novel captures the beginning of this anti-human political project on the territory of Bessarabia. Aureliu Busuioc in the Hronicul Găinarilor comes with the vision of the person who faces a process of Sovietization of consciousness |
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| Cuvinte-cheie Communist totalitarianism, Ideological concepts, Literary transfers, phenomenon |
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