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<cfResPublDate>2019-12-25</cfResPublDate>
<cfIssue>3</cfIssue>
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<cfURI>https://ibn.idsi.md/ro/vizualizare_articol/90865</cfURI>
<cfTitle cfLangCode='RO' cfTrans='o'>Proză scurtă: aventura formulelor narative (cu referinţă la B. P. Hasdeu, C. Negruzzi, L. Donici, P. Goma)</cfTitle>
<cfKeyw cfLangCode='RO' cfTrans='o'>Proză scurtă; experiment narativ; reconsiderare actualizată; strategii narative; polimorfismul
discursiv; spaţiu mental amalgamat; Short Prose; narrative experiment; updated reconsideration; narrative strategies; discourse
polymorphism; amalgamated mental space</cfKeyw>
<cfAbstr cfLangCode='RO' cfTrans='o'><p>&Icirc;n acest studiu am analizat formula narativă din proza scurtă a scriitorilor rom&acirc;ni B. P. Hasdeu, C. Negruzzi, L. Donici, P. Goma, pentru a identifica disponibilitatea de a căuta noi strategii discursive. După o reconsiderare substanţială critică actualizată, am stabilit că autorii dovedesc &icirc;n textele de proză scurtă mobilitate şi vivacitate nebănuită, remarc&acirc;ndu-se diversitatea strategiilor narative. &Icirc;n fiecare caz &icirc;n parte a fost necesară mişcarea inerţiilor critice, pentru a pune &icirc;n valoare inovaţiile &icirc;n formula narativă: polimorfismul discursiv, raportul dialogic al variaţiilor şi subminarea parodică a operelor romantice (B. P. Hasdeu); recurgerea la autoparodie, jocul vocilor narative, ambiguitatea referentului (C. Negruzzi); esenţializează autoficţională a dramei refugierii, subminarea strategiilor ideologice comuniste ale mancurtizării fiinţei umane (Leon Donici), forţarea de a scrie &icirc;n alt gen, construirea complicatelor amestecuri mentale, tematizarea proeminentă a proceselor mentale cognitive (Paul Goma).</p></cfAbstr>
<cfAbstr cfLangCode='EN' cfTrans='o'><p>In this study we analyzed the narrative formula from the short prose of the Romanian writers B. P. Hasdeu, C. Negruzzi, L. Donici, P. Goma, to identify the readiness to look for new discursive strategies. After a substantially updated critical reconsideration, we established that the authors demonstrate in the short prose texts mobility and unexpected vivacity, noting the diversity of narrative strategies. In each case it was necessary to move critical inertions, to discover innovations in the narrative formulation of discourse polymorphism, the dialogic report of variations and the parodic undermining of romantic works (B. P. Hasdeu); recourse to Autoparody, the play with narrative voices, the ambiguity of the reference (C. Negruzzi); the self-fiction essence of the refugee drama, undermining the communist ideological strategies of the mancurtization of the human being (Leon Donici), forcing to write in another genre, building complicated mental mixtures, prominent tematization of mental cognitive processes (Paul Goma).</p></cfAbstr>
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