The artistic investigations and representations of Romanian literature of 60s from Bessarabia are developed into two fundamental existential levels, materialized in two basic aesthetics: the aesthetics of supportand the aesthetics of ontological confusions. The both aesthetics have emerged of human confrontation (and of literature) with the burdens of the totalitarian system. In the works of Grigore Vieru we find for example an essentialized environment, permeated by a mysterious energy and purity, a support evoked with the piety provoked by a sacral power. In “Broken flight” of Vladimir Beşleagă and, especially, in “The life and the death of Philemon” the fractures of the human consciousness announced in the first novel, take the forms of an ontological catastrophe in the last mentioned writing. The 70s require an ambience of calm and tamed energies, of reconciled antitheses. A feeling of mild resignation and an obscure brightness, like a breath of dizziness and self forgetfulness, take hold of all. The ontological deviation become widen in literature.