Val Butnaru, journalist, political analyst and writer, was one of the founders and artistic director of Theatre „E. Ionesco” between 1991-1994 and „Unnamed Theatre” in 2007. The debut and development of his dramatic creations have been caused by contact with the world press and the playwright’s theater, drawing on his early writings from the theater of the absurd. So poetic and metaphorical, parabolic and allegorical Val Butnaru’s pieces from’80-90 have emerged postmodern revelation plus a modernist theatrical drama. The postmodern’s accents of Val Butnaru’s drama succeeds in stimulating functioning “heterogeneity” in pieces Sunset is delayed (1982), The process of ju-jutsu (1986), We like to play theater (1987), the re-establishment of new types of lyrical and dramatic mix In Venice is quite different (1989), Symphony in mi bemol major (1992), I remember that it will snow and we will be happy (1993), the re-creation of a new poetic or tragic in Maine day after tomorrow (1994), Joseph and his mistress (1993), re-inventing the techniques of the self impersonalisation heroes in Saxophone in red leaves (1997), the game of the languages and intertext in How discussing Proverbs with Ecclesiastes (1999) etc. Val Butnaru image playwright development for over twenty years was only a draft, which was completed and perfected, fulfilling and touching is rising now, as the author wanted the “full creative phase”, living with literature.