Conţinutul numărului revistei |
Articolul precedent |
Articolul urmator |
1049 277 |
Ultima descărcare din IBN: 2024-04-09 17:05 |
Căutarea după subiecte similare conform CZU |
821.135.1.09 (622) |
Literature of Balkan Romance / Romanic languages (2085) |
SM ISO690:2012 FONARI, Victoria. Haos şi cosmos în creaţia eminesciană în discursul critic al lui Mihai Cimpoi. In: Revista de Ştiinţă, Inovare, Cultură şi Artă „Akademos”, 2020, nr. 2(57), pp. 132-136. ISSN 1857-0461. DOI: https://doi.org/10.5281/zenodo.3989311 |
EXPORT metadate: Google Scholar Crossref CERIF DataCite Dublin Core |
Revista de Ştiinţă, Inovare, Cultură şi Artă „Akademos” | ||||||
Numărul 2(57) / 2020 / ISSN 1857-0461 /ISSNe 2587-3687 | ||||||
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DOI:https://doi.org/10.5281/zenodo.3989311 | ||||||
CZU: 821.135.1.09 | ||||||
Pag. 132-136 | ||||||
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Rezumat | ||||||
This article capitalizes the literary criticism of Mihai Cimpoi which refers to the correlation between chaos and cosmos in the Eminescian creation. Through the general-human spheres we identify the myth concept selected for the methodological work. Focusing mainly on Eminescian creation, Mihai Cimpoi contributed to the identification of the Eminescian myth, speaking in his terms of Pierre Albouy and mythologies projected on French literature. The Eminescu myth is amplified through the projection of the cosmogony of the Romanian folklore as well as of the Sanskrit, Greek, and Hebrew. The critic uses an effect of syncretism to call on a pars pro toto. This way of fragmented investigating, but concomitantly and completely, has unique perspectives of the text. The artistic creation is becoming a mediator in the knowledge of the Being, in which the reader could be mirrored. |
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Cuvinte-cheie Eminescu, chaos, cosmos, interpretation, Method, mit, Eminescu, haos, cosmos, interpretare, metodă |
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